2,559 Free Artworks of Colored Etching

etchings in the yale center for british artyale center for british arthand-coloredisaac cruikshankjames gillraynational gallery of artromanticismthomas rowlandsonhand-colored etchingcharles williams (caricaturist)
View from Nature, Thomas Vivares
etchings in the yale center for british artthomas vivares
View from Nature, Thomas Vivares
etchings in the yale center for british artthomas vivares
Racing [set of four]: 4. Racing, James Pollard, 1821
etchings in the yale center for british artjames pollard
Racing [set of four]: 1. Training, James Pollard, 1821
etchings in the yale center for british artjames pollard
Cockney-Sportsmen Shooting-Flying, James Gillray, 1800
etchings in the yale center for british artjames gillray
The auction of the love gods (based on the Goethe poem "The love gods on the market" from 1796), Johann Heinrich Ramberg, 1799
johann heinrich rambergerotes
Cockney-Sportsmen finding a Hare, James Gillray, 1800
etchings in the yale center for british artjames gillray
View from Nature, Thomas Vivares
etchings in the yale center for british artthomas vivares
Racing [set of four]: 2. At the Post, James Pollard, 1821
etchings in the yale center for british artjames pollard
Monstrous Craws, At a New Coalition Feast, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Sucking Fish (Echeneis Naucratis), Mark Catesby, published 1731-1743
the natural history of carolina, florida and the bahama islandsetchings in the national gallery of art (washington, d.c.)
Parrot (Le Perroquet Indien. Psittacus Minimus), Johann Michael Seligmann
etchings in the national gallery of art (washington, d.c.)works by johann michael seligmann after george edwards
The Purple Martin (Hirundo purpurea), Mark Catesby, published 1731-1743
the natural history of carolina, florida and the bahama islandsetchings in the national gallery of art (washington, d.c.)
Paul Klee, Inventionen Nr. 3, Jungfrau im Baum (1903), Paul Klee
expressionism,surrealism,pointillism,bauhaus,color fieldprints by paul klee
Plymouth from Stonehouse Hill, William Payne, 1788
etchings in the yale center for british artwatercolor paintings by william payne
Triumphal entry of the royal troops into New York, 1776
vues d'optique gravées par habermann1776 in new york city
Noël Paymal Lerebours 06 Moscow, 1842
historical images of the moscow kremlin19th-century etchings
The White Stork, Jan Christiaan Sepp
prints in the national gallery of art (washington, d.c.)ciconia ciconia (illustrations)
A Little Tighter, Thomas Rowlandson, 1791
prints in the national gallery of art (washington, d.c.)romanticism
The Green Gar Fish (Esox osseus), Mark Catesby, published 1731-1743
the natural history of carolina, florida and the bahama islandsetchings in the national gallery of art (washington, d.c.)
The Inn Yard on Fire, Thomas Rowlandson, 1791
prints in the national gallery of art (washington, d.c.)romanticism
The Disappointment, or, The King's Evidence treated with the caution he deserves, William Dent, 1791
etchings in the yale center for british artwilliam dent
Prophecy Explained, Rudolph Ackermann, 17 September 1808
prints in the metropolitan museum of artrudolph ackermann
Frederik Carl von Gram, Magnus Petersen
prints by julius magnus petersen in the statens museum for kunstcolor etching
Who'll Have a Crown - Now's Your Time, William Heath, 1830
etchings in the yale center for british artwilliam heath (artist)
Rural Sports. Smock Racing, Thomas Rowlandson, published 1811
prints in the national gallery of art (washington, d.c.)romanticism
Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess, George Cruikshank, 1835
etchings in the yale center for british artetchings by george cruikshank
To Bullier's, Jean-Louis Forain, circa 1876
etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain
Frederik Carl von Gram, Magnus Petersen
prints by julius magnus petersen in the statens museum for kunstcolor etching
Svendborg, Søren L. Lange
prints by søren l. lange in the statens museum for kunstcolored etching
View at the new theatre in Berlin, Johann Hubert Anton Forst, circa 1820
johann hubert anton forstcolored etching
The Door, St. Bartholomew's, Charles Frederick William Mielatz, 1909
etchings in the national gallery of art (washington, d.c.)charles frederick william mielatz
Vordingborg, Søren L. Lange
prints by søren l. lange in the statens museum for kunstcolored etching
View at the house of Bergmann at the mountain of Tempelhof, Johann Hubert Anton Forst, circa 1820
johann hubert anton forstcolored etching
The Enamoured Sportsman, Thomas Rowlandson
prints in the national gallery of art (washington, d.c.)romanticism
The Purple Jack Daw (Gracula Quiscula), Mark Catesby, published 1731-1743
the natural history of carolina, florida and the bahama islandsetchings in the national gallery of art (washington, d.c.)
The Secret History of Crim Con, Fig 1, George Murgatroyd Woodward, 18 August 1808
george moutard woodwardthomas tegg
The South Entrance of Duke's Place, John Thomas Smith, 1814
etchings in the yale center for british artjohn thomas smith (1766-1833)
Reform Advised - Reform Begun - Reform Compleat (Complete), Thomas Rowlandson, 1793
etchings in the yale center for british artromanticism
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves, James Gillray, 1783
etchings in the yale center for british artjames gillray
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Self Murder or the Wolf Tried and Convicted on his own Evidence, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
etchings in the yale center for british artjames gillray
Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
King's Place, or a View of (Monsieur Reynard's) Best Friends, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
Billy & Harry in Their Glory or a Great Man Kicked Out of Place, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain, John William Edy, 1786
etchings in the yale center for british artjohn william edy
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform, James Gillray, 1788
etchings in the yale center for british artjames gillray
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The City Combat, or the Desperate Attack at The English Baron, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
etchings in the yale center for british artjames gillray
Salus in Fugâ - La France se Purge Petit à Petit, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
Dumourier Dining in State at St. James on the 15th of May 1793, James Gillray
etchings in the yale center for british artjames gillray
The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
John Bull Viewing Billy's Preparations for His Birthday, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
(The) A Grand Battle between the Famous English Cock and Russian Hen!, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
More Humbugs, - or - Another Attack on John Bulls Purse, Charles Williams, 1818
etchings in the yale center for british artcharles williams (caricaturist)
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Opening of Parliament or the Air Gun-Plot or the Infamous attack on His Majesty, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
A Change in the Head of Affairs, William Heath, circa 1828
etchings in the yale center for british artwilliam heath (artist)
Bless Thee Bottom, Bless Thee-Thou Art Translated, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A Peep into Totenham Street or Dillitanti Performers in Training, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Brazen Image Erected on a Pedestal Wrought by Himself, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
[Shooting] The Sportsman (four lines of verse by J. Emery), George Maile, 1824
etchings in the yale center for british artgeorge maile
John Bull in a Rage, forcing nic Frog to Fight against his Will, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
More Short Petticoats of Highland Association Under Episcopal Examination, Franciscus Sansom, 1798
etchings in the yale center for british artfrancis sansom
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office, James Gillray, 1792
etchings in the yale center for british artjames gillray
The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Grand-Consul of the Great Nation Perusing - John Bulls Dispatches!!!, John Cawse, 1800
etchings in the yale center for british artjohn cawse
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Monopolisers Caught in Their Own Trap or a Companion to the Farmers Toast, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman, Thomas Rowlandson, 1785
etchings in the yale center for british artromanticism
Old Hat or a Serious Divertisement as Performed at the Chap(p)el Royal, John Cawse, 1800
etchings in the yale center for british artjohn cawse
Uncle George and Black Dick at Their New Game of Naval Shuttlecock, Thomas Rowlandson, 1787
etchings in the yale center for british artromanticism
The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A New Irish Jaunting Carr. The Tandem - or Billy in HIs Sulky, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass,... etc., James Gillray, 1783
etchings in the yale center for british artjames gillray
The Caravan by Charles W. Bartlett, 1923-5, color etching, May 1923
intaglio prints by charles w. bartlett
The Effects of British Valour on the French Directory, George Murgatroyd Woodward, 1798
etchings in the yale center for british artgeorge moutard woodward
Two Pair of Candidates Proposed to the Independant Electors of Middlesex, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover, James Gillray, 1784
etchings in the yale center for british artjames gillray
The Budget or John Bull Frightened Out of His (Money) Wits, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
etchings in the yale center for british artjames gillray
A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Present State of Europe, Or - John Bull on his Last Legs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Jocose Prisoner & Honest Cryer. A Joke May be Carried Too Far, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
etchings in the yale center for british artjames gillray
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
etchings in the yale center for british artjames gillray
Between Two Stools The Bottom Goes to the Ground, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
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